Création no. 3
- This article is a translation of:
- Création n° 3
Abstract
Artists specialized in new media, they have created several artistic interactive installations. These creations have been shown in nearly twenty exhibitions in France.
Outline
Top of pageEditor's notes
Translated by Erwan Devos
Full text
1 The Miroir [mirror] project is an interactive installation for augmented reality, created in 2011 by Sophie Daste, Karleen Groupierre and Adrien Mazaud. This interactive space is a Victorian style carpeted living room. Through the heap of odd objects it contains, the space is reminiscent of an old cabinet of curiosity. A chair takes the center of the setting, inviting the spectator to sit in front of the mirror. When sitting down, the spectator sees a ghostly animal head superimpose onto their own face reflection. The anthropomorphic double coming from a literally augmented reality, follows each and every of their movements and expressions.
Transitional object
2The illusion begins as soon as the spectator enters the room. Thought like a jewel case, the room protects this surreal environment from the reality of the outer world.
fig. 2

Spectators’ augmented reflection in Miroir.
© Sophie Daste, Karleen Groupierre and Adrien Mazaud.
3This whole set-up relies on the fantasy of seeing, through the mirror, a hidden truth. The mirror is only semi-tinted, and the wall on which it is hung is not a wall, but a false background, concealing the machinery required for the creation of this illusion.
4Five speakers are placed in the room. Their combined action gives the spectator the impression that sounds are moving around them. This sonic atmosphere is part of the spectator’s immersion into the oneiric world of the Miroir.
- 1 The webcam is concealed under the mirror. In the video presenting the installation, the different (...)
5The spectator, dazzled by the set lamps, sees their reflection in a semi-reflecting mirror, as long as what is behind the mirror (back-room area) remains dark. As soon as the webcam1 and our program detect a spectator’s face, the animal’s face is projected onto the back wall (behind the mirror, onto the projection surface). The projected image is black, except for the animal face that is visible to the spectators (as well as their reflection).
fig. 4

Recording and production of the spatialized sound atmosphere.
© Sophie Daste, Karleen Groupierre and Adrien Mazaud.
Illusive technique of augmented reality
- 2 SDK (Software Development Kit).
6This project was carried out on the software Unity to which was integrated the Face API SDK.2 This SDK allows to track in real time the movements of a face filmed by a webcam (in 3 dimensions), and this, without imposing onto the spectator any markers or any excessive calibration time.
7The choice of the animal head depends on the morphological data captured by the camera.
- 3 Blend Shape (Shape deformer): changes the shape of the 3D object, from smile to open mouth, etc.
8The movements and expressions received are correlated with the movements and expressions of a 3D-modeled animal head. Although the algorithm is still in development, through the use of blend shape3 all major modeled expressions can be combined and mixed, providing a great variety of animations to the animal face.
9Thus, if the spectator opens or closes their mouth, smiles or winces, the creature will do the same in its own way.
Facing the illusion
10Since 2011, The Miroir set-up appeared in several exhibitions allowing a study of the public’s reactions. The spectators’ reactions are varied, some of them laugh, others are startled or scared. Some see an animal mimicking them, others see their totem. During the Miroir project exhibit in Hong-Kong at the Siggraph Asia festival, several student groups ranging from 12 to 16 years old tested the set-up. We noticed a cultural phenomenon that the authors did not expect: young hongkonger ladies, startled by the apparition of the animal face onto their own face were driven, as a reflex, to cover their nose and mouth with both hands. However, the illusion relies on the detection, for facial tracking, of the basic elements of a face, an oval, eyes and a mouth. By hiding their faces the girls made the animal face disappear in the same time. When a girl let her hands down, the creature, just as its shy audience, reappeared startling the girl anew. The young girls had to tame an illusion that appeared as fearful as they were, reality and the illusion appeared mutually impressed by the presence of one another.
Miroir project exhibit
112015
Ars Electronica – Linz (September 3rd-7th).
122014
Festival MISS (Maison de l’image et du signe de Sevran) – Sevran (November 4th-8th).
132013
Festival SIANA – Evry-Courcouronnes (April 16th-28th).
142011
Symposium SIGGRAPH Asia – Hong-Kong (December 12th-16th).
Savante Banlieue – Université Paris 13, Villetaneuse (October 13th-14th).
Festival Dimension 3 – Plaine Saint-Denis (May 24th-26th).
Festival Laval Virtual – Laval, France (April 6th-10th).
Notes
1 The webcam is concealed under the mirror. In the video presenting the installation, the different cameras shown in the reflection of the mirror are not part of the installation, they simply are either the spectator’s camera to take a picture of themselves and their reflection or a camera to film the user.
2 SDK (Software Development Kit).
3 Blend Shape (Shape deformer): changes the shape of the 3D object, from smile to open mouth, etc.
Top of pageList of illustrations
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Title | fig. 1 |
Caption | Spectators in front of Miroir. |
Credits | © Sophie Daste, Karleen Groupierre and Adrien Mazaud. |
URL | http://www.hybrid.univ-paris8.fr/lodel/docannexe/image/598/img-1.jpg |
File | image/jpeg, 36k |
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Title | fig. 2 |
Caption | Spectators’ augmented reflection in Miroir. |
Credits | © Sophie Daste, Karleen Groupierre and Adrien Mazaud. |
URL | http://www.hybrid.univ-paris8.fr/lodel/docannexe/image/598/img-2.jpg |
File | image/jpeg, 44k |
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Title | fig. 3 |
Caption | Technical diagram of the Miroir. |
URL | http://www.hybrid.univ-paris8.fr/lodel/docannexe/image/598/img-3.png |
File | image/png, 51k |
![]() |
|
Title | fig. 4 |
Caption | Recording and production of the spatialized sound atmosphere. |
Credits | © Sophie Daste, Karleen Groupierre and Adrien Mazaud. |
URL | http://www.hybrid.univ-paris8.fr/lodel/docannexe/image/598/img-4.jpg |
File | image/jpeg, 348k |
![]() |
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Title | fig. 5 |
Caption | Facial movements capture points. |
URL | http://www.hybrid.univ-paris8.fr/lodel/docannexe/image/598/img-5.jpg |
File | image/jpeg, 296k |
![]() |
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Title | fig. 6 |
Caption | Screenshots of different zebra Blend Shapes. |
URL | http://www.hybrid.univ-paris8.fr/lodel/docannexe/image/598/img-6.jpg |
File | image/jpeg, 235k |
References
Electronic reference
Sophie Daste and Karleen Groupierre, « Création no. 3 », Hybrid [Online], 02 | 2015, Online since 23 October 2015, connection on 02 April 2023. URL : http://www.hybrid.univ-paris8.fr/lodel/index.php?id=598
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